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Raag · 9 am – noon · Bright, joyful

देशकारDeshkar

Bhoopali's five swaras, read from the other end of the day: Deshkar lives in the upper half, on Dha and Pa, bright with morning.

This landscape is drawn from the raag: the far mountain rises with its aaroh and falls with its avaroh, and the near hills follow its pakad.

66 madhya
About these soundsMeend makes the harmonium and santoor sounds itself. They aren’t recordings of real instruments, so they sound close, but not quite the same. They are here to let you hear how the swaras go.The tanpura and tabla are recordings of real ones.
SRGMPDNदेशकार

Tap a swara to hear it

Thaat
Bilawal
Jati
Audav–Audav
Vadi and samvadi
Dha and Ga
Left out (varjit)
Ma and Ni
Its hour
9 am – noon, 2nd prahar of the day
Its mood
Bright, joyful

Deshkar has exactly the swaras of Bhoopali: Sa, Re, Ga, Pa and Dha, with neither Ma nor Ni. Yet the two are never mistaken by anyone who knows them. Bhoopali lives in the lower half and dwells on Ga, in the evening; Deshkar lives in the upper half, on Dha and Pa, touches Re and Sa only lightly, and belongs to the morning. It belongs to Bilawal thaat.

Hear it

Aaroh
SRGPDS
Avaroh
SDPGRS
Pakad
GPDPDSDPGPGRS

How it moves

Dha is Deshkar's vadi and Ga its samvadi. Its phrases circle Pa and Dha:

Ga, to Pa and Dha, back to Pa
GPDP
Up to taar Sa, and back to Pa
DSDP
Down, touching Re lightly, to Sa
GPGRS
In the upper octave
PDSRS

Where Bhoopali falls to mandra Dha and rests on Sa, Deshkar keeps its weight high: on Pa and Dha, and on taar Sa.

Its hour

1st prahar of the day, 6–9 am12nd prahar of the day, 9 am – noon23rd prahar of the day, noon – 3 pm34th prahar of the day, 3–6 pm41st prahar of the night, 6–9 pm12nd prahar of the night, 9 pm – midnight23rd prahar of the night, midnight – 3 am34th prahar of the night, 3–6 am4midnight6 amnoon6 pmnightdayDeshkar9 am – noon
2nd prahar of the day, 9 am – noon. Its hour’s other raags: Todi, Jaunpuri.

Deshkar belongs to the second prahar of the day, the late morning. Its vadi, Dha, lies in the upper half of the saptak, which by Bhatkhande's observation places a raag between midnight and noon: the mirror of Bhoopali's evening.

On the bansuri

  • S
  • R
  • G
  • P
  • D
  • S
Its swaras on the bansuri, from Sa to taar Sa: a dark hole closed, a half-dark one half closed. Every swara’s fingering, in your key →

Look-alikes

SRGMPDNदेशकारDeshkarVadi Dha, samvadi Ga · 9 am – noon
Deshkar’s pakad
GPDPDSDPGPGRS
SRGMPDNभूपालीBhoopaliVadi Ga, samvadi Dha · 6–9 pm
Bhoopali’s pakad
GRSDSRGPGDPGRS
The same swaras: they differ in where they dwell and how they move.

Shuddh Kalyan climbs as Deshkar does, but lives low, and lets Ni and tivra Ma in on the way down:

SRGMPDNदेशकारDeshkarVadi Dha, samvadi Ga · 9 am – noon
Deshkar’s pakad
GPDPDSDPGPGRS
SRGMPDNशुद्ध कल्याणShuddh KalyanVadi Ga, samvadi Dha · 6–9 pm
Shuddh Kalyan’s pakad
GRSNDPPDSRGPRS
Shuddh Kalyan has tivra Ma and Ni.

Practise it

  1. Long notes on Dha and Pa.
  2. The aaroh and avaroh, slowly.
  3. Paltas in its five swaras, in threes.
  4. The pakad and the phrases, staying high.
Dha and Pa, held
D–––P–––D–––S–––
In threes, up and down
SRGRGPGPDPDS
SDPDPGPGRGRS

All ten alankars in Deshkar, to hear in your Sa →

A short aalap
GPD–P–––
DSDP–GP–
PDS–RSDP
GPGRS–––
A riyaz of Raag Deshkar

Meend starts it with Aaroh–Avaroh, Pakad, Paltas in Deshkar, Aalap and Bandish, 27 minutes a day, and listens as you play: each swara of the notation lit as it is played, the time kept, a lotus grown petal by petal.

Questions

What is the difference between Deshkar and Bhoopali?

The same five swaras. Deshkar lives in the upper half, on Dha and Pa, in the morning; Bhoopali in the lower half, on Ga, in the evening.

Which thaat is Deshkar in?

Bilawal.

When is Deshkar sung?

In the second prahar of the day, the late morning.